Neko and Nokia

From http://www.bloodshotrecords.com/album/middle-cyclone

From http://www.gabrielmichael.com/uploaded_images/timessq19-782809.jpg

I wouldn't necessarily say that Neko Case sold out by playing the commercial-soaked Nokia Theater in Times Square on Monday night, because she has none of the attitude of a sell-out. That's good for her, because the space and the uber-marketing that envelopes you and oozes down the walls feels a little slimy. Instead, Case and her band put on an intimate yet vivacious show.

I'd never seen Case's brand of what I'd call bluegrass pop (or is it alt-country?) live, but I was really happy to listen to her tunes. Neko's voice is clear - as a bell, as the saying goes - with sweetness and serious power behind it. And her band, with the lilting guitar, banjo, easy but steady percussion, and other vocals transported me out of the hell that is Times Square. (I'm a native New Yorker. So sue me!) In fact, I'm kind of proud of her that she was able to convey such a friendly, sweet vibe despite the Disney-fied creepiness of the place.

What do I mean by that? Well, the rules were pretty annoying. First, the bouncers insisted on holding my camera until the end of the show. After I promised I would store it in my checked coat they insisted on sending some apathetic guard to escort me to the coat check. She waited a few seconds while I stood on line, tried to look mildly interested and then trotted back upstairs. So much for the rules. I took that as my cue and headed for the bar, coat AND camera in hand, to buy a $7 billion Bud and watch the show.

So, in summary: Neko Case was very, very good. I would like to see her again, but next time in a smaller venue. Nokia, you can keep your rules. Good day to you!